Melody Moore, one of America’s exciting new talents, had the honor of portraying Susan Rescorla in the World Premiere of Christopher Theofanidis’ Heart of a Soldier at San Francisco Opera, which opened on the eve of the ten year anniversary of the attacks on the World Trade Center. After having successfully debuted as Rita Clayton in Stephen Schwartz’s, Séance on a Wet Afternoon, Melody returned to New York City Opera in early 2012 to sing the leading role of Régine Saint Laurent in the American debut of Rufus Wainwright’s new opera, Prima Donna. In the summer of 2012, Melody will be on the San Francisco Opera stage as First Lady in The Magic Flute.
Recent critically acclaimed performances include two appearances with English National Opera as Mimi in Jonathan Miller’s production of La Bohème and as Marguerite in Des McAnuff’s production of Faust. Melody has also performed the role of Mimi with San Francisco Opera and Opera Cleveland. She has appeared with Los Angeles Opera as Contessa Almaviva in Le Nozze di Figaro and in their Recovered Voices Project, highlighting recovered works by composers affected by the Holocaust, in the productions of Der Zwerg and Der Zerbrochene Krug. Melody has also performed the role of La Contessa in Le Nozze di Figaro productions at San Francisco Opera and Madison Opera. Elsewhere, she has appeared with the New Orleans Opera as Manon Lescaut, Orlando Opera in the title role in Suor Angelica, and the Cincinnati Chamber Orchestra production of Don Giovanni as Donna Anna. She has appeared regularly with the San Francisco based New Century Chamber Orchestra headed by Nadja Salerno-Sonnenberg and has recently sung Beethoven’s 9th Symphony with the Fort Worth Symphony Orchestra. This year, Melody debuted in Munich with the Bavarian Radio Symphony in a concert performance of Gordon Getty’s opera, Plump Jack, conducted by Ulf Schirmer.
Melody, a graduate of the Cincinnati College-Conservatory of Music, is a 2007 San Francisco Opera Adler Fellow and former Merola Opera Program participant.
Recent critically acclaimed performances include two appearances with English National Opera as Mimi in Jonathan Miller’s production of La Bohème and as Marguerite in Des McAnuff’s production of Faust. Melody has also performed the role of Mimi with San Francisco Opera and Opera Cleveland. She has appeared with Los Angeles Opera as Contessa Almaviva in Le Nozze di Figaro and in their Recovered Voices Project, highlighting recovered works by composers affected by the Holocaust, in the productions of Der Zwerg and Der Zerbrochene Krug. Melody has also performed the role of La Contessa in Le Nozze di Figaro productions at San Francisco Opera and Madison Opera. Elsewhere, she has appeared with the New Orleans Opera as Manon Lescaut, Orlando Opera in the title role in Suor Angelica, and the Cincinnati Chamber Orchestra production of Don Giovanni as Donna Anna. She has appeared regularly with the San Francisco based New Century Chamber Orchestra headed by Nadja Salerno-Sonnenberg and has recently sung Beethoven’s 9th Symphony with the Fort Worth Symphony Orchestra. This year, Melody debuted in Munich with the Bavarian Radio Symphony in a concert performance of Gordon Getty’s opera, Plump Jack, conducted by Ulf Schirmer.
Melody, a graduate of the Cincinnati College-Conservatory of Music, is a 2007 San Francisco Opera Adler Fellow and former Merola Opera Program participant.